Wednesday, June 11, 2014

Gunpowder Artillery For AD&D1E

This is a demi-culverin, roughly equivalent to
a basilisk from these tables


Gun Name Proj Wt (gp) Pwdr Wt (gp)
Range
Damage
Rate of Fire
Min. Max. S-M L
Ribald 2 1 1 5 2-6 (x12) 2-6 (x12) 1/24*
Serpentine 25 16 1” 90 2-12 3-24 ½
Saker 60 40 2” 160 3-30 3-30 1/3
Basilisk 120 60 2 210 3-30 4-32 1/3
Culverin 180 120 3 260 4-32 5-30 ¼
Dolphin 320 215 3” 210 5-30 5-40 1/8
Cannon 400 275 3” 170 5-40 5-50 1/10
Bombard 2000 1500 10” 50 5-50 6-60 1/20


* 1/24 with 1 crew, 1/12 with 2 crew, 1/8 with 3 crew.


Gun Name Cost of weapon (gp) Wt. of weapon (lbs.)
Siege Attack: Points of damage against:
Def.
Pt.
Val.
Wood
Earth
Soft Stone
Hard Rock
Ribald 380 80 ½
Serpentine 1000 1000 3 2 1 3
Saker 2000 1800 6 ½ 4 2 6
Basilisk 2200 3000 7 ½ 5 3 7
Culverin 2500 4000 8 1 6 4 8
Dolphin 3500 5000 9 1 6 4 9
Cannon 4500 6000 10 2 7 5 10
Bombard 5000 8000 12 3 9 6 12

Use the Artillery rules (DMG, p. 108-109) with these weapons. Note that a Ribald is 12 barrels, each loaded separately, with up to three people loading.

Use the Firearms rules for potential exploding guns (note that artillery always uses unpackaged powder [EDIT Nov 2019: I would change this to packaged powder instead]). Damage is as follows:

Ribald: 3d6 for one barrel. Add 1d6 per 3 barrels or fraction above 1 barrel. Burst radius is 1”, damage to others is 2d6.
Serpentine: 3d8. Burst radius 1½”, damage 2d6.
Saker: 3d10. Burst radius 2”, damage 2d6.
Basilisk: 4d8. Burst radius 2”, damage 2d6.
Culverin: 5d6. Burst radius 2½”, damage 3d6.
Dolphin: 5d8. Burst radius 3”, damage 3d8.
Cannon: 5d10. Burst radius 3”, damage 3d10.
Bombard: 5d12. Burst radius 3”, damage 4d8.

A professional artillerist is treated as having proficiency in the artillery pieces and also to have the Gunner proficiency (see the Firearms rules for details). Fighters (only, not Paladins, Rangers, or other classes) may choose the Gunpowder Artillery proficiency to use any of these weapons, and the Gunner proficiency acts as normal.

Cost of powder for one shot is a number of gold pieces equal to the powder weight (in gp equivalent) divided by 5, plus the projectile weight (in gp equivalent) divided by 100. This price includes the powder, shot, wadding, and so forth. For example, a Saker costs 8gp + 12 sp (or 172sp) to fire once, a Bombard 320gp per shot. (Exception: a Ribald costs 4sp per barrel.)

In the Middle Sea/Terra Ultima setting, basilisks are the guns most commonly found on ships, though sakers and culverins are not uncommon.

(edited to change exploding weapon damage, correct the ranges, and alter cost per shot)

(further edit to add, because a column was inadvertently deleted from the charts when converted to blog format)


Gun Name Crew (min-max.)
Ribald 1-3
Serpentine 2-4
Saker 3-5
Basilisk 3-7
Culverin 4-9
Dolphin 4-12
Cannon 5-15
Bombard 6-15
(another edit to make a note about packaged powder)

Tuesday, June 10, 2014

Firearms For AD&D1E

Since the Middle Sea/Terra Ultima game includes firearms, and since I'll be using the AD&D 1E rules nearly RAW (I'll write up some of my modifications soon), I figured I should come up with some statistics for handguns. These started off with the Ed Greenwood article "A Second Volley: Taking another shot at firearms, AD&D style" in Dragon Magazine #70, but Mr. Greenwood neglected to include the AC adjustments for the weapons, and had no solid rule for firearm malfunctions. So, I reworked the weapons a bit and came up with this:

Weapon Type Approximate Weight in Gold Pieces
Damage vs. Opponent
NOTES Cost
in GP
Size S or M Size L
Caliver (matchlock musket) 110 2-9 1-8

45
Dragon (“Dagg” or “horse pistol”) (wheel-lock pistol) 45 1-6 1-3 +2 on saves against weapon explosion 60
Flintlock pistol 20 1-6 1-4

55
Flintlock musket 100 3-12 1-10

80
Blunderbuss 80 1-10 1-10

50

Weapon Type Fire
Rate
Range
Armor Class Adjustment
S
M
L
2
3
4
5
6
7
8
9
10
Caliver (matchlock musket) 1/2 4 8 14
+3
+2
+1
0
-1
-2
-3
-4
-5
Dragon (“Dagg” or “horse pistol”)
(wheel-lock pistol)
1 1 4
+2
+2
+2
+1
+1
0
0
-1
-1
Flintlock pistol 1 2 3 5
+2
+2
+1
+1
0
-1
-1
-2
-2
Flintlock musket 1 10 20 30
+5
+4
+3
+2
+1
0
-1
-2
-3
Blunderbuss 1/2 1 2 3
+2
+2
+2
+2
+1
+1
+1
0
+1

Cost of Powder and Ball:

Caliver: 1gp
Dragon: 10sp
Flintlock pistol: 10sp
Flintlock musket: 1gp
Blunderbuss: 1gp

Powder and ball come in pre-packaged paper cartridges, which are broken apart to make use of the pre-measured powder, the paper used as wadding. The cartridges are water-resistant, though full immersion will ruin them. For simplicity, each paper cartridge weighs 1 gold piece equivalent (1/10 lb).

It is possible to buy unpackaged powder and cast your own balls. This reduces the cost by 80% (to 2 or 4sp per shot), but explosion checks happen on a natural 1 or 2 on the “to hit” roll (see below).

On a “to hit” roll of 1 on the dice, before modification, the firing character must roll a save vs. Breath Weapon, modified by Non-proficiency penalty if applicable, or take 2d6 damage from an exploding pistol, 3d6 from an exploding musket or blunderbuss, which also ruins the weapon. In addition, anyone within 1” of the firing character must roll a similar save or take 1d6 damage. If the save is made, the weapon merely misses the target.

Any class other than Monks, Psionicists, Witches, Magic-Users, or Illusionists may take proficiency in firearms. The proficiency categories are: Musket (including Blunderbuss) and Pistol. Fighters (including Paladins and Rangers), Outdoorsmen (new class for Middle Sea/Terra Ultima), Thieves, and Spies (Assassins) may, if they have proficiency in some type of firearm, take the additional proficiency Gunner, which gives a +5 on saves against exploding firearms.

I may work up statistics for a flintlock revolver at some point, but mainly it would be like a flintlock pistol with a higher Fire Rate until it ran out of chambers, plus a penalty to the weapon explosion save and potentially worse damage if it does explode. I've already converted some of the artillery pieces from Mr. Greenwood's first article on gunpowder in AD&D (in Dragon #60), but I need to format them for the blog.

(edited on 6/11/2014 to change exploding weapon damage and alter loose powder costs)
(edited on 6/22/2014 to change the weapon costs, because come on, what were you thinking, Mr. Greenwood?)

Monday, June 9, 2014

Middle Sea Or Terra Ultima?


Very, very roughly, this is about 800 mi. x 1200 mi.
More accurately, the distance between the two mountain peaks
that make up the base of the triangle of peaks to the west of
the Triple Sea area in the northern part of the map is
34.2 miles.
I'm considering using this map, which I call Middle Sea, for my game instead of the Terra Ultima one. This is a map that I've wanted to use in a game for years, and I've worked up several versions over the last 20 years or so. The first was done using tracing paper (remember that?) by hand from an atlas. I think I may still have those sheets around somewhere. I did a version when I had Fractal Terrains and Campaign Cartographer (I had those on disk, and the disks were stolen). This time, I found a website that does most of what I needed done, so I did that, then modified the images in Paint Shop Pro. They're still rough, but I do still have the working files and will probably clean them up over time.

There's another really interesting part of the world off to the east, which is where Middle Sea gets its name, but I haven't put those maps together yet, so I thought that I'd just show off the western coast of the continent.

If you haven't yet figured out where the map comes from, it's a map of North America with the water level raised by 1000 ft (308m). I got the idea from the old Chaosium wargame Lords of the Middle Sea. In that game, there is also a collapse of a large portion of the midwest due to helium extraction or something, but this game world doesn't include that.

The map that inspired the Middle Sea world
The basis of the Terra Ultima world map

Oh, what the heck. As a bonus, here is the not-nearly-cleaned-up-enough map of part of the Middle Sea itself:
The Middle Sea, surrounded by island nations to the east and south,
 and by the mainland to the west. There are also more islands
to the north and to the northeast of this map

Thursday, June 5, 2014

Updates

First, the sad news. I have decided to abandon my attempt to make a GURPS random-character generator, as it is simply too much work. Instead, I will go back to the Sixguns & Sorcery setting for the basis of my solo game. I still have work to do for that, but at least it is pretty clearly defined and doesn't involve massive feature creep.

For the Sixguns & Sorcery project, I need to develop the religion a bit more, enough to be able to stat out some of the spirit/gods and their possession effects, similar to the Loas in GURPS Voodoo. I'll talk about the religion another time. I've already converted the NPC templates from The Knuckleduster Cowtown Creator, which is a great wild west resource, but which was only statted out for Deadlands and D20 systems (and a nod toward FUDGE). Happily, there are available conversions for Deadlands to GURPS Deadlands in Dime Novel 1: Aces and Eights. Those are to 3E, of course, but converting from there to 4E is a snap. I did discover that the templates are pretty high-point valued if taken straight, so I tinkered with them to bring them down to power levels I think are appropriate to the basically gritty, yet still somewhat cinematic, nature of the genre as I envision it in the setting. It was disconcerting, to say the least, to see an NPC type called "Loafer" come in at over a hundred GURPS points, but I've chopped it back to 56. Still a fair amount, but it fits the character description. Many of the other NPCs similarly had to be cut back considerably from their raw converted state. I'll probably post them somewhere for others to make use of them. GURPS really needs more "generic" NPC statblocks for Referees to use, especially ones who are just getting their heads around the system. I hear experienced GURPS Referees say that they just set some numbers that look right, but it's getting to the point where the numbers that "look right" are also actually right that Referees need assistance with.

What else? I have returned to my AD&D 1E (mostly) sword & sorcery setting, Terra Ultima. I've made some decisions about it, definitely deciding, at last, to restrict players to human characters. I have, however, opened out the character classes somewhat, so that there are fifteen available options: Bard, Cleric, Druid, Fighter, Illusionist, Magic-User, Monk, Mountebank, Outdoorsman, Paladin, Psionicist, Ranger, Spy, Thief, and Witch. The Bard and Mountebank are pretty much the versions from Adventures Dark & Deep, though I keep looking at the Bard material in Dragon 56 (the stat requirements of that version, though, make the Bard less common than the Monk). The Outdoorsman is a slightly modified version of the "Bandit" class from Dragon 63 (main change: HD are d8 rather than d8+1). The Psionicist is mainly the version by Arthur Collins in Dragon 78 (I changed the XP progression a lot and set the HD to d4 only). The Spy is a reskinned version of the Assassin. The Witch, right now, is mainly from the version in Dragon 114, but I am playing with ideas from Tim Brannan's The Witch. His class is pretty solidly written for D&D, though, so the AD&D-isms are coming from the Dragon magazine class. He does include an appendix on using the class in AD&D, so if I get around to picking it up in hardcopy before any witches show up in the game, maybe I'll use his version completely. That would change the demographics slightly (see below), but I can live with handwaving that, or changing just the stat requirements to the Dragon magazine version - if I get ambitious, and bored enough, I could always recalculate them.

I'm pretty interested in fantasy demographics and what they can do to flesh out a setting, so I worked out how frequent each of these classes are. My method was somewhat interesting, if I do say so myself, at least if mathematics and basic arithmetic don't scare you. I started by noting Gary Gygax's assumption that only one in a hundred people have the potential for having a class and level (DMG, p. 35). Then I went through each class and figured out what would be the chance of a character, rolling 3d6 in order, to qualify for it. Some of the classes are ridiculously difficult to qualify for under that default system. Even worse, there is a certain chance that a character will not qualify for any class at all (I called these "Hopeless characters" in my results). At the rate of one in a hundred having even a chance, for example, it turns out that only one in 250,000 people can become a Monk (and that is still only one in 2500 characters if you roll without any of the gimmick methods), which is rarer than Paladins (at one in 111,111).

My next step was to set a societal preference scale. That is, I set the priority of classes based on how important the class was to the society on the average. Lower-probability classes were typically set higher than the "usual suspects", and various assumptions were incorporated into the list. My list of preferred classes went like this: Paladin, Illusionist, Monk, Ranger, Outdoorsman, Fighter, Bard, Mountebank, Thief, Spy, Psionicist, Druid, Witch, Cleric, Magic-User. My assumptions were that it is very difficult to become a magic-using class even for those qualified, that people would typically prefer to be in a class that has wider abilities than more limited ones (such as preferring Rangers to Outdoorsmen), and that some orders actively seek out qualified applicants (notably Illusionists and Monks, who represent the more advanced priesthood of the Denialist Church, and Paladins, who represent the warrior-monk elite of the Radiant Church). I assumed that people would prefer to be a member of the various Cleric-like classes than to be a Magic-User, since the former have social and economic benefits that do not accrue to the latter. Finally, I assumed that people in the setting would prefer honest occupations to dishonest ones. Placing the Psionicist and Bard where I did are more intuitive, and I can't tell you why they are at those particular places in the preferences.

For each stage of preference, I figured out the percentage of the population would qualify, multiplied that by the percentage that remained and recorded the result. Then I subtracted that percentage from the total percentage (so that, for example, if 5% could qualify for a class out of a remaining 20% of the population at that stage in the preferences, 0.2 x 0.05 = 0.01 of the total population would be recorded, and that 1% subtracted from the running total of 20%, leaving 19% for the next stage in the preferences). Rounding all of the values to the nearest 0.0001 (0.01%) gave me the following table to roll d10,000 (which I will mainly use to replace the table on p. 35 of the DMG):

d10,000 (4d10) (only 1% of random NPCs even get to roll on this table)

0001-0088: Bard (1/11,364)
0089-0747: Cleric (1/1517)
0748-0779: Druid (1/31,250)
0780-6433: Fighter (1/177)
6434-6468: Illusionist (1/28,571)
6469-6723: Magic-User (1/3922)
6724-6727: Monk (1/250,000)
6728-7323: Mountebank (1/1678)
7324-7561: Outdoorsman (1/4202)
7562-7570: Paladin (1/111,111)
7571-7615: Psionicist (1/22,222)
7616-7631: Ranger (1/62,500)
7632-7714: Spy (1/12,048)
7715-9773: Thief (1/486)
9774-9838: Witch (1/15,385)
9839-0000: Hopeless Character, no class/level

The fractions after each class represent how many of that class there are per how many total population. I may come up with a class for characters who don't qualify for any other class, so I have something I can do with the Hopeless Characters.

For reference, here are the stat requirements for each of the fifteen classes:

Bard: S6 I6 W6 D14 C6 Ch14
Cleric: S6 I6 W9 D3 C6 Ch6
Druid: S6 I6 W12 D6 C6 Ch15
Fighter: S9 I3 W6 D6 C7 Ch6
Illusionist: S6 I15 W6 D16 C3 Ch6
Magic-User: S3 I9 W6 D6 C6 Ch6
Monk: S15 I6 W15 D15 C11 Ch6
Mountebank: S6 I10 W6 D9 C6 Ch12
Outdoorsman: S12 I10 W6 D12 C12 Ch6
Paladin: S12 I9 W13 D6 C9 Ch17
Psionicist: S3 I10* W10* D3 C9 Ch10* (*one of these must be 16)
Ranger: S13 I13 W14 D6 C14 Ch6
Spy: S12 I11 W6 D12 C6 Ch3
Thief: S6 I6 W3 D9 C6 Ch6
Witch: S6 I13 W13 D6 C6 Ch6

(Note that the Psionicist breaks the rule about Strength below 6 being limited to Magic-User and Dexterity below 6 to Cleric. This is deliberate.)

Finally, I've returned to working on the Top Secret retroclone game that I had set aside for too many months. No idea what I'm going to call it. I'll probably figure it out when it is closer to being complete. I have decided to incorporate some of the better ideas from Dragon magazine into it, such as rules for car chases and a better Contact (NPC reactions) system.

Thursday, May 15, 2014

The Dread Mood

"Vampire Castle" by Graf Von Krolock
When I came through here last week, carrying barrels of ale for the Duke, the village was happy, healthy, and a cheerful place. All of the peasants were happy to see a merchant traveler coming through, and we shared news with them as they gave us a hospitable welcome at their local public house.

Now, though, look at them. All afraid to do more than look from the corners of their windows. No one laughing, no one coming to meet us. And the woods. Look at the woods. Ominous, dark, and deep where once they were bright and green.

What has happened to this place?

Scholars talk about the planes of existence, pointing to the astral and ethereal planes bordering on the material world, and beyond them the celestial and infernal planes of the gods. There are elemental planes, energetic planes, and so on. All of these, though, are places in themselves, places that a person of sufficient knowledge and power can travel to. In addition to these places, there are also Moods. A Mood is a type of plane-like entity that doesn’t exist in itself, but rather imposes itself on another place. When a Mood settles down, it changes the character of the place it comes to, making it more of one thing or another. There are Moods of whimsy, of joy, and of nihilism, among others. Most of all, though, there is the Dread Mood, the Mood of terror.

Like a plane, a Mood has inhabitants. Unlike a plane, these are not beings in themselves, but rather spiritual forces that possess those who live in the place that the Mood settles upon. Depending on the power of the forces in the Mood, these can simply change the personality of the place’s inhabitants slightly, or it can even alter their appearance and abilities. In many ways, a Mood settling on a place is like a demon possession, but happening to the entire area. It can be thought of as a new genius loci, a spirit of place, taking over for the one that naturally exists there.

When the Dread Mood settles on a place, the local ruler is edited out of existence, at least temporarily, and replaced by a manifestation of the Dread Mood. There are several of these manifestations.

The central figure of the Dread Mood is Dragos Lupei. One can think of him as the anthropomorphic manifestation of the Dread Mood as a whole. He does not necessarily show up whenever the Dread Mood settles on a place, as other manifestations may occur instead. Dragos, though, is the most feared manifestation of the Dread Mood’s ruling figure. The castle or ruling building of the area will be replaced with his castle of Dragoshani, the Citadel of Dragos. Dragos is a vampire, though he will attempt to keep that a secret for as long as he can.

When the Mood manifests Dragos, the woods will suddenly be inhabited by a pack of werewolves. Very soon, one or more of the villagers will also become infected. If there are no woods, then some similar group of outsider entities will come to exist. Perhaps a pack of ghouls in the desert sands, or weresharks will prowl the outer reefs. The point is that Dragos, as the centerpiece of corruption of the area, will be mirrored by figures outside the community as well.

Dragos will not always call himself “Dragos”, either. His name will usually be chosen to be resonant with the area on which the Mood falls, though often with an element of shadowy exoticism. He will manifest whatever characteristics are natural for the most powerful vampires in the area, or if there are no natural vampires to be found he will instead manifest the normal vampiric attributes. Similarly, his castle will conform to the normal architecture of a center of power in the area.

In addition to the normal creatures of horror and fear, an occasional Rom caravan will also appear in the area. It is not known for sure what causes these traveling folk to appear, but they always seem to have knowledge about the manifestations of the Dread Mood, and to be fairly willing to help in actions taken in opposition to those manifestations. However, sometimes they harbor or protect the outsider forces even as they try to find a way to prevent their depredations, and they are always distrustful of outsiders.

Once the Dread Mood settles on an area, it will remain for as long as the central figure manifesting at that time remains active. If that central figure is killed or destroyed, the Mood will immediately lift, all things returning to normal, for the most part. The locals will see it as having been like a dream, almost, though they will be aware that they did the things that they did and those who are dead will not return to life. Those who were infected by diseases like lycanthropy will remain affected. Notably, the former ruling figure who was replaced by the Mood's manifestation will die if that manifestation is killed. Perhaps there is another way? No one knows (except the Referee).

Game Effects

While the Dread Mood is settled on a place, regardless of which manifestation occurs, all saves vs. fear and fear-like effects are at -1. Similarly, all morale checks and reaction rolls are penalized by 1 point. In the daytime, the sky will remain constantly overcast, so that creatures affected by sunlight will not be penalized. At night, rolling fog will limit visibility outside, even by lamplight.

NPCs will act a little more frightened of everything, and will not usually express any sort of joy. The main exception will be the Rom caravans that will suddenly show up.

In the Rom encampments will be dancing, singing, and musical instruments. Rom will be led by a strong fighter, and will always include at least one aged magician-witch of great insight and power. The Rom will be slightly, but not greatly, different than the locals, depending on the area. In a European-type setting, they will resemble typical Romany “gypsies”, while in a desert they might be a group of wandering Bedouin or the like. They will always be slightly “off” for the area, providing a hint of exoticism while still seeming quite appropriate for the place.

Other Lords Of The Dread Mood

In addition to Dragos Lupei, there are other manifestations that can occur.

Baron Von Hofstedtler: His insane experiments into the creation of life frequently result in the formation of intelligent Flesh Golems. Unfortunately, such creatures are inevitably produced with the intellects of infants and the bodies of large, strong men. It only requires the destruction of the Baron to lift the Dread Mood. If the Baron were ever able to raise one of his Golems to intelligence, he would immediately set out to build an army of them in order to fulfill his dreams of conquest. However, the villagers are always terrified of his works and inevitably strike to destroy his creations, and, ultimately, him. In the process, though, they usually lose many of their people, and the place will be suffering for years as a result even after they lift the Dread Mood. Though there may be Rom when he appears, there are not usually any outsider entities.

Jaya: She, or he, is a Rakshasa. His, or her, palace is a place of decadent pleasures hiding the corrupting filth of the demon spirit. When she, or he, appears, the graveyards come to house legions of ghouls and ghasts.

Mab, The Queen of Air and Darkness: Unlike the other manifestations, she will not replace the area’s normal leader. Instead, she and her Court will appear in the wilderness nearby. She, herself, is a powerful faerie queen (treat as a dark elf if you don’t have a more suitable option). She will always have an entourage of changelings, young men and women stolen from their parents in infancy and replaced with polymorphed goblins (who live off their hosts until they pretend to die after a few months, in the meantime also causing ill-luck in the household – spoiling milk, unraveling weaving, and so on). The woods or wilderness will be filled with goblins, evil sprites and pixies, will-o-the-wisps, and the like. These creatures will try to hide from humans, in order to trick them into getting lost in the deep woods, running off of a cliff, or wandering into a swamp. Her Court consists of evil faeries, which can be dark elves or whatever else is appropriate in your game.

There are dozens of others, from Kheperkheperure the immortal mummy, who pursues his reincarnating lover Isetnofret (who does not remember him, and might even be a PC), to Blubolubdool the leader of the unaging Fishmen, who need human women to breed a new generation. Pretty much any horror scenario that can have a central figure can exist as a manifestation of the Dread Mood.


Designer’s Notes: When I first heard about Ravenloft, the boxed set, and the idea of a “demiplane” of Dread, this is approximately what I thought it would be. That’s why I was more disappointed than most seem to have been with that product line, since it turned out that a “demiplane” was simply a small plane. Obviously, the idea also draws from TORG, which included the idea of invading realities. Unlike TORG, though, I don’t envision these Moods as having a separate existence from which they come as invaders, but instead are only semi-real. They only exist when they manifest, and they don’t much change the map of the area (though some changes may occur, such as replacing the ruling building with Dragoshani). Another influence on the idea was the game Magic Realm, which included the idea that a tile could become Enchanted, which provided a constant source of magical power and shifted paths and locations slightly.

Monday, April 14, 2014

Goths of the Now

A little bit different than usual, this entry includes two lovely women who may or may not consider themselves "goth". Both are members of the band Jaggery, which is one of my musical obsessions lately, and I'll include a music video as well (though the video was made before Rachel joined the band).

Left - Rachel Jayson of Jaggery and Walter Sickert and the ARmy of BRoken TOys
Right - Singer Mali (Mali Sastri) of Jaggery

Saturday, March 22, 2014

Creating Random Characters In GURPS

I really don't want to have to carefully design all of the characters in the dynastic game, but GURPS has no random generation method. So, I have to come up with something myself. I'll start by noting that there is just no way to get away from design completely, but I can subsume that into roleplaying to some extent.

The first thing to do is to figure out stats. GURPS has a really narrow range, actually, even though nominally normal humans range from around 7 to about 20. In actuality, a 7 is very unlikely, representing just about the minimum that one can call "able-bodied" (below that represents various bodily deficiencies and handicaps), and a 20 represents just about the human maximum, showing up in perhaps one person, or at most a very few, in the world each generation. For my purposes, I'll figure that it is less than one in a million and leave it at that.

Since I want the stats to cluster very tightly around 10-11, I've decided to start by rolling 3 averaging dice. These are six-sided dice marked 2, 3, 3, 4, 4, 5. Obviously, the average roll is much more likely with such dice, and the extremes are narrower than with regular six-sided dice marked 1 through 6. To shore up the low results and bring them closer to the range that is appropriate, I will halve the difference between 10 and the result if it is below 10. So, a roll of 6 becomes 8 (4 points lower than 10, halved, makes it 2 points lower than 10, or 8), a roll of 7 or 8 becomes 9, and a roll of 9 becomes 10. I will allow a result of 6 on the dice to explode downward, rolling a regular d6 and reducing the result by 1 on a roll of 6, then rolling again, stopping when the d6 reads 1-5. I will similarly allow a roll to explode upward on a result of 15, increasing it by 1 point on a roll of 6 on a d6 explosively. This makes a result of 20 occur less than once in 1.5 million.

For advantages and disadvantages, other than ones that are related to the character's social position (which are set by the scenario), I have come up with a program that goes through the list of possible advantages and disadvantages and checks the chance of any given member of the population possessing them. It then outputs the results to a file which I can incorporate into my character sheet. It's still a little buggy, but I should have it running smoothly soon. I do, however, reserve the right to reject any result and roll again, so that there will be no characters who have all of the advantages or all of the disadvantages, or whatever else doesn't fit the scenario in my opinion. I still need to work up a set of perks and quirks to randomly select, though perks are pretty closely tied to character concept and so not very easily left to random chance. I'll probably give 1 character in three 1 or 2 randomly chosen perks. I'm also considering rewriting the disadvantages portion to select mental disadvantages based on rolls from Gary Gygax's personality tables in the AD&D Dungeon Masters Guide. I might also adapt the Hârnmaster "Medical" and "Psyche" charts to this program. Those would not be difficult, actually.

Once those are done, I will select a base template for each character, in order to quickly select some baseline skills. This is where I begin roleplaying the characters, choosing a template based on my assessment of what the character would want, what they are allowed to do given their social position, and so forth. I'll give them a number of skill points based on their age and personality (characters who have disadvantages that cause them to spend time doing other things lose out on skill points - though they might simply redirect some of the skill points instead, such as a lecherous character practicing Sex Appeal through self-study). To an extent, I will free-form this, though the guideline of 200 hours of instruction per 1 character point, doubling the time for self-study and halving it for intensive training, will apply (plus, one quarter of time spent at a job counts as study time for appropriate skills). Advantages appropriate to the template might also be acquired in the same way.

This does mean that I will still be spending a certain amount of time on each character, but at least it will be automated to some degree. I really wish that GURPS had chosen to work up a random character generation system, though. It would have saved me a lot of time and effort.